![]() ![]() Polanski’s first English-language film is a must-see movie that explores the madness that encompasses paranoia. With a career spanning numerous years, John Carpenter’s remake of The Thing from Another World is still his greatest masterpiece. The paranoia expressed in The Thing is relevant and can be applied to different real-life situations throughout history from The Red Scare to the post-Vietnam era. Its vision of nihilist terror that discusses the erosion of trust among friends, communities, and even in one’s own body is not only clever but ageless. ![]() Lastly, The Thing must also be applauded for its intellect. As a result, audiences are constantly on edge because of the element of surprise. When it does appear in its more foreign form, the grotesque and groundbreaking effects, done by Rob Bottin, are shocking and brilliantly excessive. It can mimic its host perfectly and it is never clear when the relentless lifeform will show itself. The alien itself is also a source of paranoia. Carpenter, Russell, and the rest of the cast do not let up. Isolation and terror grow more and more as the atmosphere becomes tension filled due to the growing level of suspicion. The vast openness of the artic sets up a feeling of isolation and bleakness that is ever present. While the characters are friendly and lighthearted in the beginning, there is always the presence of looming dread due to the setting and the score accompanying it. This film is one of the best examples of the power of atmosphere. Carter, David Clennon, Keith David, Peter Maloney, and Thomas G. The Thing also features a notable supporting cast that includes A. The film stars Kurt Russell as the team’s helicopter pilot and the main protagonist, R.J. As the hostile lifeform starts to penetrate the group of researchers, the men are overcome by wariness and learn that they can no longer trust anyone. The Thing depicts a group of American researchers in Antarctica who discover a parasitic extraterrestrial. The Game knows exactly how to build paranoia and enthrall moviegoers.Īlthough appearing as a box office bomb in 1982, a reevaluation of The Thing proves it is an amazing examination of mistrust and paranoia. Fear, sadness, worry, and anger are all shown through Orton’s uncertainty in his environment and Fincher is dedicated to capture every minute of it. Douglas does a great job a capturing all the emotions Orton goes through. With the need for control being prominent and relatable, it is fascinating to see Orton’s world begin to crumble. The hints at Orton’s financial status that allow him to set his own rules and the shot of his mansion revealing its emptiness and coldness allows audiences to put the pieces together. Fincher highlights this through smart subtlety. Orton’s past trauma, fear, and secluded nature display his need for control. ![]() The characterization of Orton is another key element that makes The Game thrilling. It is true when one question is answered, 50 more questions appear. Audiences feel so close to discovering the truth, and just when they have an idea, it is dashed. Throughout the movie, it seems viewers may be able to figure out exactly what is happening. Along with the filmmaking techniques, Fincher also knows how to play with his audience. The way Fincher uses darkness and shadow to build confusion and doubt is skillful and is comparable to the artistry of Hitchcock and the resourcefulness of Jacques Tourneur. In the film, every character is shot through a lens of suspicion that moviegoers can intensely feel. One of the major factors that makes The Game riveting is Fincher’s love and understanding for obsession and paranoia. As the lines between the banker’s reality and the game start to blur, Michael begins to worry this gift of a game has become a nightmare he cannot escape. The present is a game that infiltrates his everyday life. Orton is given a mysterious gift by his brother (Sean Penn). It tells the tale of a wealthy investment banker named Nicholas Van Orton (Michael Douglas). While not considered one of David Fincher’s extraordinary masterpieces, The Game is an extremely entertaining film that has audiences guessing until the end. With a multitude of subjects and themes that paranoia relates to, here is a list of some of the best films regarding paranoia. Paranoia can lie within relationships, oneself, institutions, or even politics. The idea of paranoia does allow filmmakers to tackle concepts such as fear, suspicion, and distrust that can spark intriguing discussions, complex storytelling, and striking visuals. Of course, these are not positive things to feel or experience, and while these attributes are unpleasant, there are countless films about this psychological condition. The concept of paranoia is typically associated with aspects such as fantasies of persecution, unjustified jealousy, inflated self-importance, and more. ![]()
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